A large part of my thesis slog involves trying to understand Hong Kong on the eve of war. So I was delighted to come across a diary which reveals the social, political and economic life of the British colony in 1941, including attitudes towards the evacuation scandal, the treatment of British and Canadian soldiers, refugee humanitarianism and race relations between the Chinese and British in the period immediately preceding the fall of Hong Kong. I’ll be using this diary, which was written by a Brit, to write about the lives of Jewish soldiers immediately before the Japanese invasion in future blog posts.
But first, here’s a glimpse of Hong Kong in November 1941. As historian Philip Snow observed, the colony certainly coasted into the war with its ‘serenity unimpaired’:
‘The evacuation last year has not unduly interrupted the social life of the Colony, and the ballrooms of the principal hotels are still full in the evenings. I understand that within the past few years there has been a closer co-operation between Europeans and the Chinese though naturally old prejudices are hard to eliminate.
There is little or no shortage of food, clothing, etc., and as yet no rationing. But the cost of living has naturally increased considerably due to increased cost of production, shipping charges and the various local measures of war taxation (which include a salaries tax, but no income tax).
Even before the War there were few stage plays, and we now have to rely on amateur performances, usually given in aid of charity. Next week one local club is giving ‘The Trial of Mary Dugan’ and there will be three performances. Variety and other concerts are given from time to time to the troops, in aid of charity, or both. Shanghai gets American and occasional British films at about the same time as we get them in London. We get them a couple of months later.
For those of you interested in the history of civilian internment in Hong Kong, I recommend 99-year old Barbara Anslow’s diary, since turned into the book ‘Tin Hats and Rice’, which paints a vivid portrait of life as a POW in the Stanley Civilian Internment Camp.